Mary Magdalene icon in the process of being gilded with 23.5K gold leaf! This icon of one of my favorite apostles is smaller than the last one I did. After the gilding is done I usually let the icon rest for at least a week or so - that way the varnish under the gold can really set up hard. Then, when I begin painting the details it's not as likely that my sleeve or buttons will scratch the gold.
Monday, October 15, 2012
Thursday, October 11, 2012
My icons at Bethlehem Lutheran, Minneapolis were well received.
Nineteen of my icons were on display in the Gallery of Bethlehem Lutheran, Lyndale Ave. South, at 41st Street in Minneapolis, and a dozen others were in the show cases, all during Advent 2011.
The congregation chose one of my icons of the Blessed Virgin Mary with Jesus on her lap, "Hodegitria" for their annual Christmas card that was reproduced as a full color card and mailed to all families of Bethlehem Lutheran.
I gave two gallery talks, one to a middle school age class and one to an adult forum age group. Lots of excellent questions and interest in the icons as "theoscopy" - or theology in full color vision!
This large icon stood at the entrance to the Gallery. It was dramatically lit and served well to introduce people to the icons.
Full scale shot of two larger icons hanging on the wall. The head of the cleric is Bishop Eivind Berggrav, the Bishop of the Resistance in Norway during WWII, and the saint who worked to reconcile Norway and Germany after the war. The elaborate icon is of St. Olav, the patron saint of Norway.
The plaques below were mounted at the entrance to the Gallery that described the icons and their purpose. I received many comments about the icons and the links to the scriptures that I had provided.
Labels:
Baptism,
Byzantine,
Icons,
Jesus,
martyr,
Mary Magadlen,
Norway,
Orthodox,
Oslo,
St. Olaf,
St. Olav
At work on an icon of Martin Luther as a monk. The official portraits of him date some twenty years after he entered the Augustinian Friars in his early 20's, so I regressed that portrait back to his early days.
My icon of the "Icon made without human hands" ready for final details and lettering. I'm pleased that the gilding came out so nice.
I'm laying out the drawing of the icon of Pentecost. To get the scale of the figures right for the icon board I placed a sheet of white paper on the board, then I drew directly on the vellum with pencil, then I traced over the pencil with India ink. After that I put a carbon under the vellum, removed the white paper, and traced the drawing directly onto the gesso of the board. It's a bit round-about, but since the drawing is ca. 24 inches long and 14 inches high, the icon board was the best surface I had to work on!
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